La ruptura del paradigma de la representación. Estrategias subversivas en la obra de Sarah Kane

Abstract

This article reviews some concepts proposed by Gilles Deleuze with the intention of introducing certain issues related to the problem of representation. The scene for this reflection will be the work of Sarah Kane, considered as a subversive practice regarding dominant paradigms. In this approach, we analyze some aspects of the language, the merging between fake and sense, and the structuring of the self. We will do so in order to reflect upon the ways that operate in the practices of art and in political will, as Rancière would say, between what exists and the ways to make it visible.