Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre

Authors

  • Mabel Brizuela Universidad Nacional de Córdoba, Argentina
  • Luis Emilio Abraham Universidad Nacional de Cuyo, Argentina

DOI:

https://doi.org/10.34096/tdf.n35.11423

Keywords:

Morales, Gambaro, Spanish Contemporary Theatre, Women’s Playwriting, theater

Abstract

This conversation was made possible thanks to the use of online platforms and it refers to different aspects in Gracia Morales’ production: her dramatic work mainly, but also her activity as a researcher on theatre. The conversation covers the following topics: Morales’ evolution as a playwright; her writing devices; the treatment of topics as memory of collective traumas, violence against women, abuse of power; her research on Griselda Gambaro’s dramatic work and the Argentine’s influence on her own production; the urgent innovations provoked by the covid pandemic in the practice of theatricians.

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Published

2022-05-23

Issue

Section

Dossier

How to Cite

Between the Theatre of One’s Own and the Work of Other Women. A Conversation with Gracia Morales about Her Dramatic Work and Her Research on Theatre. (2022). Telondefondo. Revista De Teoría Y Crítica Teatral, 35. https://doi.org/10.34096/tdf.n35.11423