Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical

Authors

  • Malala González

DOI:

https://doi.org/10.34096/tdf.n29.6521

Keywords:

Theatre / performance, city, urban memory, tangible / intangible, cultural heritage

Abstract

In this article, we aim to reflect on some possible connections between theatre/performance and the city, considering different practices, links and relations that allow us to rethink Buenos Aires as a stage based on its urban configuration, its cultural memory and its heritage. We intend to put together a decalogue of modalities that enable the intersection between the present and the past of the scenery we live and to observe how, in each case, they call for a more sensitive look that can experience a different perception of the urban, incorporating other practices of memory, other deconstructions, and, thus, providing new meanings. 

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Published

2019-02-02

Issue

Section

Dossier

How to Cite

Buenos Aires as a Stage: Towards a Decalogue of links between the urban and the Theatrical. (2019). Telondefondo. Revista De Teoría Y Crítica Teatral, 29, 156-168. https://doi.org/10.34096/tdf.n29.6521