El Método de las Acciones Físicas de Raúl Serrano y la acción actoral como lugar del sujeto

Abstract

This article intends to conduct a theoretical approach to the fundamentals of Acting proposed by Raúl Serrano's "Método de las Acciones Físicas". Based on what is known as the "second part" of the work of Stanislavski -in which the Russian pedagogue arrives to a methodological synthesis that was absent in the terminological and technical profusion of his initial writings-  and also on elements of the marxist dialectic, the Argentine pedagogue produces a methodology in which the subject is present in the performance through its action, with the exception of any rational or emotional speculation that isolates it the circumstances of the scene.