No. 26 (2017)

View No. 26 (2017)

Published: 2017-12-02

Ensayos

Stage Dramaturgy. World, Finitude and Symbol: Concepts for an Ontology of the Mise-en-Scène

Mario Cantú Toscano

1-11
- PDF (Spanish)
A perceptive shift towards the common space

Victoria Castelvetri

12-24
- PDF (Spanish)
In the Border between Music and Theatre: the Case of John Cage's "Water Walk"

Walter Frank

25-32
- PDF (Spanish)
Calderón de la Barca and Sor Juana Inés de la Cruz in the theatre of Guillermo Schmidhuber de la Mora

Concepción Reverte Bernal

33-45
- PDF (Spanish)

Dossier

Theatre, Politics and Society in the South: New Modes of Incidence

Grupo de Estudios sobre Teatro Contemporáneo, Política y Sociedad en AL

46-47
- PDF (Spanish)
Artivism and Political Potential. The Collective "Fuerza Artística de Choque Comunicativo": Bodies, Memory and Urban Space

Lola Proaño Gómez

48-62
- PDF (Spanish)
Fin de Un Mundo: Urban Performatic Interventions between History and the Political Agenda

Ramiro Manduca

63-79
- PDF (Spanish)
Performance, Politics and Digital Activism: the Interventions of the "Colectivo Dominio Público"

Maximiliano Ignacio de la Puente

80-88
- PDF (Spanish)
Art as an Open Space for Public Cultural Policies: an Interview with Marcelo Díaz

Pamela Brownell

89-102
- PDF (Spanish)

Críticas de espectáculos

"La Rascada", a Metatheatrical Mise-en-Scène that Connects the History of Argentine Theatre

Denise Pieniazek

103-110
- PDF (Spanish)

Reseñas

Teatro y frontera. Cruces y desplazamientos geográficos y culturales durante el romanticismo rioplatense (1837-1857) Lía Noguera. (2017). Buenos Aires: Editorial Eudeba / Proteatro. 222 pp.

Laura Mogliani

111-112
- PDF (Spanish)
Espérame en el cielo, corazón. El melodrama en la escena chilena de los siglos XX-XXI Soledad Figueroa R. y Javiera Larraín G. (2017). Santiago de Chile: Editorial Cuarto Propio. 317 pp.

Sibila Sotomayor Van Rysseghem

113-114
- PDF (Spanish)