No. 27 (2018)

View No. 27 (2018)

Published: 2018-07-07

Ensayos

The Persecution of Leonidas Barletta for Being a Communist: the Closing of the People's Theater

María Fukelman

1-12
- PDF (Spanish)
Forms of Excess. "El acto en cuestión" (Alejandro Agresti, 1993) and the Theatre of Ricardo Bartís

Jorge Sala

13-24
- PDF (Spanish)
Garbage as Testimony to Desubjectivation in Rafael Spregelburd's "Spam"

Laura Gabriela Conde

25-46
- PDF (Spanish)
Is the State Fictional? Absurd, Liminality and Anachronisms in Rafael Spregelburd's "Apátrida, doscientos años y unos meses"

Victoria Julia Lencina

49-56
- PDF (Spanish)
Entertainment of the Past: Radio Drama and its Collaboration with the Sainete Criollo

Constanza Grela Reina

57-65
- PDF (Spanish)
Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice

Silvina Marino

66-76
- PDF (Spanish)
How to poison a composer. Writing within "Amadeus" by Peter Shaffer

Lucas Gagliardi

77-88
- PDF (Spanish)
Killing the Other in 21st Century Argentine Theatre. Following Rodrigo Cuesta's Trail on the Crime Scene

Lourdes Magalí Pereyra Fedele

89-107
- PDF (Spanish)

Dossier

Presentación. Condiciones laborales de los trabajadores del espectáculo en Buenos Aires (1902-1955)

UBACyT Los trabajadores del espectáculo en Buenos Aires: la especificidad laboral...

108-113
- PDF (Spanish)
Between the Worlds of Art and Work. Conceptual Tools to Understand the Labor Dimension of Artistic Work

Karina Mauro

114-143
- PDF (Spanish)
Working Conditions in José Podestá's Theatre Companies (1872-1937)

Lía Noguera

144-162
- PDF (Spanish)
The Variety Artists in Buenos Aires in the Early 20th Century

Susana Shirkin

163-175
- PDF (Spanish)
Performing Artists' Identities and Antagonistic Appeals (1902-1955)

Karina Mauro

176-231
- PDF (Spanish)
The Working Conditions of Dancers During the First Half of 20th Century

Eugenia Cadús

232-244
- PDF (Spanish)
The Actor in the Argentine Star System. Privileged Worker or Mere Product?

Marta Casale

245-254
- PDF (Spanish)
Conclusiones. Esto recién empieza...

UBACyT Los trabajadores del espectáculo en Buenos Aires: la especificidad laboral...

255-258
- PDF (Spanish)

Reseñas

La espada de pasto. Piedra sentada, pata corrida. La piel del poema. La madre del desierto Ignacio Bartolone. (2017). Buenos Aires: Rara Avis. 150 p. ISBN: 978-987-46631-0-8.

Mariano Saba

259-260
- PDF (Spanish)
El teatro en el primer peronismo (1943-1955) Perla Zayas de Lima (2017). Buenos Aires: EUDEBA. 311 p. ISBN 978-950-23-2793-8

Yanina Andrea Leonardi

261-264
- PDF (Spanish)
Dramaturgia de la dirección de escena Cipriano Argüello Pitt. (2016). México D.F.: Paso de Gato. 152 p. ISBN: 978-607-8439-26-3.

Ezequiel Lozano

265-266
- PDF (Spanish)
El caso Garay Gracia Morales (2015). [Introducción de Carmen Márquez-Montes. Col. Antología Teatral]. Murcia: Universidad de Murcia, 164 pp. ISBN: 978-84-16551101

Rocío Pérez-Solís

267-268
- PDF (Spanish)