No. 21 (2015)

Ensayos

Between Civilization and Barbarism: Geographical and Cultural Exchanges and Displacements in Colombian Theatre (1960-1990)

Lía Noguera

34-48
- PDF (Spanish)
The Poetic Function of Sound in Contemporary Dance. Methodological Approach for the Analysis of Music in Choreographic Works of Buenos Aires

Mariana Signorelli

82-95
- PDF (Spanish)
Brief Critical Survey of the Crisis of Brazilian Postdictatorial Dramaturgy

Stephan Baumgartel

49-61
- PDF (Spanish)
The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone

Elina Adduci Spina

96-103
- PDF (Spanish)
Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.

Katarzyna Cytlak

1-16
- PDF (Spanish)
Collaborative Process in Performing Arts: Brazil and Costa Rica

Rafael Ary, Yorleni Alpízar

62-67
- PDF (Spanish)
On-Stage and Off-Stage in Andrés Binetti and Mariano Saba's Trilogía Argentina Amateur (48/33/10)

María Silvina Persino

104-111
- PDF (Spanish)
Discourses and Representations of the Body in La Plata's 20th Century Theater. A Brief History of a Copernican Turn

Mariana del Mármol

17-33
- PDF (Spanish)
Postmigrant German Theatre. Dicoursive Heterogeneity and Violence in Erpulat/Hillje's Crazy Blood (Verrücktes Blut)

Soledad Pereyra

68-81
- PDF (Spanish)
Puppets and Independent Theatre: the Case of Leónidas Barletta and Los títeres de Rosita

Bettina Girotti

112-120
- PDF (Spanish)

Críticas de espectáculos

Mientras cuido de Carmela. A Dialectical Approach to Utopia

María Soledad Raffa

121-129
- PDF (Spanish)
Oylem Goylem, by the Moni Ovadia Stage Orchestra (Italy): A Performance about Yiddish Culture

Paula Ansaldo

130-135
- PDF (Spanish)
Acceso: A Body Filled with History and Culture

María Lorena Saavedra González

136-142
- PDF (Spanish)
Poetry, Fantasies and Celebration: Lorena Di Prinzio's Evocaciones. Flamenco de Cámara

Perlas Zayas de Lima

143-147
- PDF (Spanish)

Reseñas

Manual de emergencia para prácticas escénicas. Comunidad y economías de la precariedad, de Óscar Cornago

Juan Albarrán

148-149
- PDF (Spanish)
Puntos de oído (Entrevistas y conversaciones sobre música y sonidos conversaciones sobre música y sonidos con directores y autores del teatro argentino), de Mirko Mescia

Perla Zayas de Lima

150-152
- PDF (Spanish)
La razón pertinaz. Teoría y Teatro actual en español, de José Luis García Barrientos

Evangelina E. Vera Moreno

153-155
- PDF (Spanish)

Ensayos

Between Civilization and Barbarism: Geographical and Cultural Exchanges and Displacements in Colombian Theatre (1960-1990)

The Poetic Function of Sound in Contemporary Dance. Methodological Approach for the Analysis of Music in Choreographic Works of Buenos Aires

Brief Critical Survey of the Crisis of Brazilian Postdictatorial Dramaturgy

The Limit of Representation or the Representation of the Limit. A Perspective on the Bond between Myth and Nazism in Bertolt Brecht's Antigone

Annoying Objects on Stage. Comments on the Reception of Tadeusz Kantor’s Concept of the Object by the Periférico de Objetos.

Collaborative Process in Performing Arts: Brazil and Costa Rica

On-Stage and Off-Stage in Andrés Binetti and Mariano Saba's Trilogía Argentina Amateur (48/33/10)

Discourses and Representations of the Body in La Plata's 20th Century Theater. A Brief History of a Copernican Turn

Postmigrant German Theatre. Dicoursive Heterogeneity and Violence in Erpulat/Hillje's Crazy Blood (Verrücktes Blut)

Puppets and Independent Theatre: the Case of Leónidas Barletta and Los títeres de Rosita

Críticas de espectáculos

Mientras cuido de Carmela. A Dialectical Approach to Utopia

Oylem Goylem, by the Moni Ovadia Stage Orchestra (Italy): A Performance about Yiddish Culture

Acceso: A Body Filled with History and Culture

Poetry, Fantasies and Celebration: Lorena Di Prinzio's Evocaciones. Flamenco de Cámara

Reseñas

Manual de emergencia para prácticas escénicas. Comunidad y economías de la precariedad, de Óscar Cornago

Puntos de oído (Entrevistas y conversaciones sobre música y sonidos conversaciones sobre música y sonidos con directores y autores del teatro argentino), de Mirko Mescia

La razón pertinaz. Teoría y Teatro actual en español, de José Luis García Barrientos

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