Marosa di Giorgio ante lo sublime y lo siniestro

Abstract

For half a century, Marosa di Giorgio led to an irreducible conception of spiritual genesis of his poetry, in line with a key area of the romantic ideologies. Her identification with the Sublime experience –a faculty of the spirit that Kant far beyond the senses– imposes the threat of all symbolization, which explains the “unutterable” character roles proposed by Los papeles salvajes. But if the high density is given by an abysmal and ominous background, the category of the Sublime is overwhelmed by the Uncanny.