Vol. 6 No. 2 (2018)

Published February 11, 2020
Agosto 2018 - Enero 2019

Editorial

Miguel A. García
The Commitments of (Ethno)musicologies and Other Equally Sensitive Disciplines
PDF (Spanish)

Articles

Jhenifer Raul, Lucas Assis, Matheus Ferreira, Pedro Mendonça, Raphaela Yves
Perspectivist Meta-ethnography: The Diversity of Experiences in a Postgraduate Participatory Action Research in Ethnomusicology
PDF (Portuguese)
Pedro Belchior Nunes
Collectivism, Synergies and Artistic Value: The Space of Independent Micro-labels in Portugal in the 21st Century
PDF (Portuguese)
Luis Pérez Valero
Industry and Tropical Music: Notes for a History of the Music Production in Hispan America and the Caribbean (1901-1968)
PDF (Spanish)
Ornela Boix, Guadalupe Gallo, Victoria Irisarri, Pablo Semán
Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
PDF (Spanish)
Mauricio Andrés Pitich
Chain of Decisions in Musical Performance
PDF
Miguel Diaz Antar
Sound Peculiarities of the Experimental Songbook by Tom Zé
PDF (Portuguese)
Ferdinando Alfonso Armenta Iruretagoyena
From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
PDF (Spanish)

Interviews

Ana Flávia Miguel
Svanibor Pettan. “The Idea of Creating an ICTM Study Group with Focus on Applied Ethnomusicology Was in My Mind for Years”
PDF

Reviews

Pablo Rojas Sahurie
McSherry, J. Patrice. 2017. La Nueva Canción chilena. El poder político de la música, 1960- 1973. Santiago: LOM, 265 pp
PDF (Spanish)