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  3. No. 42 (2025)

No. 42 (2025)

					View No. 42 (2025)
Published: 2026-01-06

Ensayos

  • Gestures: aesthetic/ethical frameworks

    Ileana Diéguez
    • pdf (Spanish)
  • The Rebellion of the Pots: A Performance? of Female Popular Resistance to Hunger (from the Colonial Period to the Chilean Social Uprising)

    Claudia Andrea Cattaneo Clemente
    • pdf (Spanish)
  • Sarah Kane Through the Eyes of an Anthropologist: From the Mind to the World

    Aäron Moszowski Van Loon
    • pdf (Spanish)
  • Español The Poetics of Ruin in Dipo by Marcelo Bertuccio: Fragmentation and Void in the Rewriting of Classical Tragedy

    Miriam Beatriz Rizzuti
    • pdf (Spanish)
  • The Porosity of Borders Between Genres of Uruguayan Carnival: A Study of the Murga Ensemble Sing a Roos

    Chiara Miranda Turnes
    • pdf (Spanish)
  • The Comic and the Humorous in the Sainete and the Grotesco: A Comparative Analysis of Los disfrazados by Pacheco and Mateo by Discépolo

    Gastón Amorin Alsina
    • pdf (Spanish)

Entrevistas

  • "I Am a Choreographer and Also an Ethnographer of Science": An Interview with Emily Coates

    Ivonne Lujano Vilchis, Nazario Pescador Pereda
    • pdf (Spanish)

Críticas de espectáculos

  • Fritzl Agonista: The Limit of the Obscene

    Fernando Luciano Manoni
    • pdf (Spanish)

Reseñas

  • ‘Broyt mit teater’. Historia del teatro judío en Argentina. Paula Ansaldo (2023). Buenos Aires: EUDEBA, 320 páginas, ISBN 978-950-23-3412-7.

    Vanesa Cotroneo
    • pdf (Spanish)

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Licencia Creative Commons
Esta obra está bajo una Licencia Creative Commons Atribución-CompartirIgual 4.0 Internacional.

telondefondo. Revista de Teoría y Crítica Teatral  ISSN 1669-6301

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